Stained-glass style girl playing violin under arched sheet music, flowers, leaves, and sun rays

Stained-Glass Violinist Beneath Musical Arches

A serene violinist bows her instrument beneath arched music staffs, winged flowers, leafy borders, and a bright half-sun window.

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Colored example of this coloring page

🎨 How to color it

Give the violinist’s robe deep teal and plum panels, the violin a polished amber brown, the arched music staffs a soft gold, and the leafy border a moss green. Use sharp colored pencils for the narrow hair ribbons, strings, notes, and leaf veins, working from the outer border inward so your hand does not smudge the tiny sections. Try a sunrise gradient in the window panes behind her, letting pale lemon near the half-sun fade into rose and lavender around the music.

The story behind this coloring page

Tamsin’s Unshareable Tune — Every evening, Tamsin played exactly one tidy scale before locking the glass music room, then challenged herself to hide a ridiculous jig between the last two notes without laughing. Read the full story →

Every evening, Tamsin played exactly one tidy scale before locking the glass music room, then challenged herself to hide a ridiculous jig between the last two notes without laughing. The room smelled of lemon oil and old varnish; moonlight sat in blue squares on the floor. One night her bow hiccuped—squeak, chirp, ta-DA—and the painted notes above her wobbled loose.

Because of that, the wall flowers began bobbing like gossiping pigeons. Because of that, the leaf border rustled applause so loudly the doorknob rattled. “Absolutely not,” Tamsin whispered, grinning, and tried to tuck the jig back into her violin. Instead it bounced off the sun window, split into bright little echoes, and scampered under the door.

By morning, the whole cloister was humming it: the broom closet, the fountain, even the stern bell rope. Tamsin finally stood beneath the arch and played the jig on purpose, faster and brighter, until everyone had a piece of it to carry away. At dusk she still played one tidy scale, but now the last two notes always left room for a ridiculous jig.

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